Sunday, January 27, 2013

Wander/Wonder


First spread in progress.
"Nothing is perfect, final, or fixed in this material world."

Hectic (of course) beginning to the semester- zillions of new kids, plans, reinvented wheels and much to do.  But I did make some decisions and begin to draw some limits, and I feel the better for it.  So far.  I did resign from the writing team for the museum- as much as I love to write and work, I wasn't doing a very good job and was overly stressing.  Likewise, at the end of this year I think I am going to resign from being the curriculum lead for the arts- I have done it for several years now, got us over the transition to the new curriculum (well, by the end of this year), and am tired of the responsibility.  I want to take a break from leadership and just focus on teaching again- both online and in the classroom.  And I want to make art.

I *do* have art that needs made for school- Meg's portrait by Friday (did I mention- like a kabillion times before- how much I hate to do portraits?) , the HOSA flag.  My smart kids have already begun the prom stuff, so I am easing off there.  Just need to get these things wrapped by the end of the month and then THAT IS IT (besides prom and MY stuff).  Selfish?  Maybe.  I'm ok with that at the moment.

Anyway, I did begin an altered book, which I haven't done for years.  I love doing these- and was inspired to give it a go by one of my kids.  Crystal is in the creative writing class, and I was snooping the syllabus, and thought 'hey, I really like these assignments!  I haven't written like this for awhile- might be fun'.  They write and then put the finished work into an altered book format, and I love that as well.... so this is my treat.  I am going to play with the creative writing, play with this book (which is titled 'Making it All Work' which is rather appropriate), and just have some non-committal fun. If it turns into something great, yay, if not, that is perfectly ok as well.  I tell the kids to practice and play with  their art- while I practice all the time (and play) in my sketchbook, I sometimes forget to play 'outside' as well.  This is my format for doing so.

Oddly enough, the first page I turned to had a phrase that caught my eye: "Nothing is perfect, final or fixed in this material world."   It is like a fortune, a reminder- you can't always fix things, perfection is impossible  and nothing is ever 'done' - not in a depressing way but rather in a way that ensures that the world is always dynamic, growing, changing.  Nothing lasts forever and that is actually a very good thing- we have to be open to constant evolution of ourselves.  We are not the same as yesterday, and we will be different tomorrow- and it is OK to quit holding on to patterns of behavior that are not working anymore, even if they once defined success.  That is my lesson right now- I worked very, very hard to get to the top of my profession- and I met those goals.  This change doesn't mean that I am a slacker- hardly not- but that I am ready to shift that energy elsewhere.  And this, this is my start.

Friday, January 25, 2013

Cupcakin'


Cupcake fit for a Supastar!

Mr. Owens is my cupcake.  My glittery gold superstar cupcake, and this morning I have been cupcakin' instead of working (sinful me! but in my defense, I have only been up for not quite an hour...).  I call him cupcake because of my obsession at one time last year with Toddlers and Tiaras, and the 'cupcake hands/ pretty feet' that they are told to do when going on the runway.  When Mr. Owens began acting, I would tease him about practicing 'cupcake hands/ pretty feet' for when he gets his eventual Oscar, Golden Globe, Sundance etc. awards.  (Which *will* happen someday- at least in our world!)  

The roles came in steady all through the fall, then shortly before Christmas trickled off, everything shutting down for the Holidays, ratings to come in etc.  During this time he has gone back to being a Knight in Shining Armor, rescuing people beside the road with AAA.  Irregular hours, on call all the time, out in the cold (currently)- it's bacon-money but I worry.  He works very hard- but it makes him sore and I worry about him being out on the road, especially at night or in bad weather.  Even though the truck has the big yellow flashing lights, people tend to ignore the obvious*....and I don't want him squashed.

*side story on ignoring the obvious:  This semester I have 3 HUGE classes f2f, and 2 HUGE classes online... in my last class of the day I also have a mini-class of 3 honors art students.  I have happily handed prom off to them, and they began painting one of the backdrops yesterday.  Since the class is so large and chaotic, they moved the canvas out to the hall way, put newspaper under it, painted it and pushed it up against the wall to dry.  At the end of class, I warned my 30 beloved students that it was wet and to avoid it.  They all managed to- even though they are wild about getting home.  Then, after school, I had two seniors stop by to say goodbye- they graduate tonight.  I was all set to go home and walked out the door....to discover that one of the seniors (the guy, who is ginormous) HAD WALKED ON THE CANVAS.  Now, this is NOT a small thing, and the primer SMELLS, and ......but no.  Walked right down it, leaving tracks of huge boots.  Which can be fixed, no problems....but he DIDN'T NOTICE and these huge white paint tracks continued down the hall, gradually getting fainter until they reached the water fountain where they faded away.  So guess who was on her hands-and-knees scrubbing the hall after school yesterday while the wrestling team (who run laps inside, up and down the stairs) gleefully ran by, taunting me with 'Hello Owens!  Second job, Owens?  etc...... and that is why I worry about people squashing Mr. Owens even though the truck has big orange lights.

Anyway, back to cupcaking.  He is booked for a film for several days and one full weekend in February  just submitted for another episode of Revolution that is being filmed right here in Burgaw, and Stephen King's Under the Dome is starting to film in Burgaw at the end of Feburary- fair sure he will have a spot in that as well.    His Lizard Lick episode airs: Lizard Lick Towing, Episode 306: Family Feud/Party Down/BBQ Sauce airs Monday, February 25th at 10 PM on TruTV.  Safe Haven premiers on Valentines day, and other things will be coming out soon.  He is also up for a few print shoots- one is a photo essay on beards and the other an illustrated story- hopefully we will hear back soon on those.  In the meantime, keep fingers crossed, the fan club active, and I *must* find some of those gold edible glitter stars!

Tuesday, January 22, 2013

Little Red Wolf

Red Riding Hood and Friend?

Today is the first day of classes for the new semester- an art foundations, two crafts and two photography.  All classes that I more or less love- except the art foundations- but I am trying once again to reinvent that so it will be better.  And of course I have the first day jitters- never mind that this is year 16, that I have started semesters now 32 (!) times not counting summer school.  But I'm anxious, worked steadily on school stuff all weekend- I always reinvent that darned circular thing...you know...the wheel I think its called?  I really don't have to work this hard, but I do.  Hard work is my safety net, along with fast typing. Grace in action and all that.

Red Riding Hood is not one of the archetypes I identify with often- I don't know why exactly, since we spent an inordinate time taking groceries to Granny Wrye when I was younger- and I had this book that showed her happily toting bread, cake and wine in a big big basket.  Yesterday though I ended up on a RRH kick, using lots of different variations of images for one of my lessons.  It is curious how this story is so popular right now- stories are popular because of the chords they strike in the audience.  I think of Red alone in the woods, cheerful and gullible, with her basket of bread headed some place safe- trying to do a good deed.  She knows that she was taught about wolves, but she doesn't quite believe in their badness...she tries to see the good in everyone.  The wolf is a predator, but is he wise or a fool?  Instead of being direct, he is tricky and clever, like the coyote, but ultimately fails because of his foolishness.  

In this picture Little Red is meeting the wolf- he is smiling/snarling while she protects her bread.  The wolf looks like my old coydog Ruffian.  I have been dreaming about Ruffian night after night lately, her and great storms blowing in from the sea.  I am taking this as a watch and a warning to be clever not foolish, to guard against greed, watch out for woodcutters- open eyes make for a safe heart.  Funny, I suppose I am the wolf afterall.

Monday, January 21, 2013

Project


Project in progress- altered doll head for garden.

I have decided to just go ahead and be as 'colorful' as I want- and that includes turning the yarden at Tanglewood into an environment.  Of course, it wins hands-down as a natural environment, over grown and wild, full of life- but I mean an art environment.  I am horrid at gardening, but I am good at art- and this seems like a fun thing to do.  And it is a project for *me*- not because I *have* to do it to meet someones standards and deadlines, but because I *want* to do it.  Now, trick is just making time for it, and not turning it into another albatross.  

Sunday I began- not that I didn't have anything else to do- a multitude of school work for the new semester at both schools, plus the writing-that-I've-been-avoiding, plus the portrait of Meg (I hate painting portraits- just sayin), plus a request to redesign the HOSA flag for school (In my spare time before Wednesday), plus wash the dishes, pay the bills, the regular lump and bump of the house hold.   So, I put on my apron and worked back and forth between school work and creative work- and yes, right now it is creepy, but I have a vision for this doll's head.

The head itself is one of those large plastic Barbie heads for little girls to learn how to style hair and apply cosmetics.  I acquired it at an auction long ago, already 'beautified' by some girly somewhere.  I took it to school, where it hung out until it became 'zombified' as part of last years 'Zombies ate my Homework' project.  After the project was over, it ventured all over the school hiding in strange places, happily startling everyone...but then I decided that it's time has come, and it is ready for a new life.  (Don't worry- the zombie head has been replaced with the werewolf hand- sporting a French Manicure-) 

In my hoard of pinterest images I have one of a similar head that was placed in a garden, hollowed out and used as a planter with 'chia-pet' type hair.  I like the idea, but decided to do it my way- and transform the head into a faux metal/stone 'sculpture' that will rest in the yarden and be covered with vines.  I cut off the long hair (matted it was, and a mixture of original blonde, zombie green and black) and spray painted the whole thing black.  The face itself had been altered during the zombie project- wax was added, parts filed off, scratches all over- which is great because it makes the whole effect more believably weathered. I have been working over it with layers of paint- black, white, bronze- and powdered sepia worked into the wax.  The crockpot is on and I am using more wax to build or seal areas, playing, playing until I get it the way I want to.  Then the whole thing will be clear coated (not shiny, satin- so it has that dull luster of old metal/stone).  When I find the right place in the yarden, I will train vines (we have vines a-plenty) to climb up over it's head creating the hair.  It will probably still be a bit creepy, but hopefully in a good way-

Other things I want to do is rehang the teacup tree (took them down to wash them and they never made it back up), bedazzle the frog prince, do something with the ponies and the bell jars.  We already have a bottle tree, vine-covered chair, pink flamingo (slightly faded), cauldron of flowers and 'magic tower'- the strange metal triangle tower with the giant blue glass globe on top. I want our yarden to be weird and wonderful, one of those places that create curiosity.  I want to just have some fun~

Saturday, January 19, 2013

Brown, Tulip, Eyedropper, Honesty


Honesty.  Digitally painted sketchbook drawing.

Brown, tulip, eyedropper, honesty.  Those are the words that Dr. B had me remember as part of one of my tests yesterday- and I remembered them well- even though (tulip/honesty) merged into teacup in visualization, and eyedropper is the least important.  This morning I drew them out in my sketchbook- I waited all night to see if I could still remember them- of course I could- and then played around painting it in photoshop.  It is *not* by far a worthy digital painting, but it was fun- I have a few different versions- I knew I wanted some sort of brown/blue/red tone to it, and a rather hazy look.  So it works for that.  The tulip is there, nodding and brown, the drops lead to the eye in the teacup, which is inscribed with the word 'honesty'.
The colors remind me of a faded Persian rug, and I like the flowing, tangled, feminine lines.

Dr. B is a new doctor for me- referred to for baseline testing, a neuropsychologist.  The testing builds a profile of how my brain functions, what my thought patterns are, memory, problem solving, application of knowledge, information structures plus the regular psych stuff.  Yesterday was just the initial meeting and test- the follow up big block of testing will be in early March.  After testing I went back to school, did an amazing amount of physical work in four hours (cleaning, sorting, painting tables, etc.), then went to see Dr. Mike-  right now we are working on a barter system to help with medical costs, so I have an art commission to fill in exchange for  a series of appointments- which is wonderful!

The general consensus from all three doctors (they are working together on this-) is that a) something is wrong  b). it is not just 'drama' or psychosomatic c). they are looking for a physical cause- my blood work, CT scan and sleep study are all fair normal (except a bit of restless legs for sleeping)...but my brain is *not* functioning correctly at the moment.  Main suspect right now is possible exposure to a substance- we are looking at bromide toxicity as a possible solution as well as other heavy metals.  These would most likely be linked to our well water, which I used to consume by the gallon- because it had a funky taste I would dump some crystal light or unsweetened lemon koolaid in it- it was my primary source of liquid.  So next step is getting the water tested and me tested, and see what comes up.   The county charges for the heavy metal water test- we are doing that- but I found out that I can get a base water test free at PetSmart.  Who would of thought?

Anyway, back to tulips and teacups and testing.  I do question the validity of the test I took yesterday- both the long written part and the other shorter parts, like the memory thing.  I did tell the Dr. that the memory words are easy for me, because they are visual.  I could immediately construct an image of them which I successfully remembered.  If you gave me a string of numbers, or equations, or a mix of math and words I don't think I would of done as well at all.  Or a series of  nonvisual words- without a image anchor to build a story around the result might of been different.  But as it is, a brown tulip dripping into a teacup is fair easy- and then just add the eye and 'honest'- done deal.  The questions on the test were to be answered false, slightly true, medium true or very true.  Of course I wanted to add conditions and explanations to some of the answers- one question asked if writer x was our favorite poet- nope, and I had to write in 'Ted Hughes' even though he is only my favorite poet part of the time.  Along with Dylan Thomas and Edna St. Vincent Millay......Thing is, most behavior is conditional.  And I wonder how many people actually state the truth on the test?  I know that there is a truth-control, which is in part why there are so many questions, that they are so repetitive (reworded but the same) and that there are control questions to see if you are paying attention.  Still, I am curious as to what it will show and what will happen next.

In the meantime, I am counseled to scale way back on activities- to drop the museum project though I don't know how to bow out without looking like/ becoming a failure- to let go of some of the responsibility of life.  Thing is though, letting go makes me anxious- I worry that if I don't keep the ducks in a row they will all wander off and get hit by cars.  But I need to try- it is so hard. I feel that I worked really hard to get to the point that I am in my career and life, and while there is very little material or recognized pay off, some of the things I have done do make a difference.... at the same time, I wonder why I work so hard and care so much when it seems that very few people notice or care.  This is *not* 'poor-meing', though it may sound like it, this is just a reflection on what is valued, what I need, and how sometimes I feel unheard (with a few exceptions).  

What do I need?  Time to be responsible for *myself* first- to go back to the basics and rediscover the things I love.  Honesty to look at what I like to do, what I want to do, what I do, and what I want to change- and be truthful about wants, needs and have the cojones to say no.  Order and balance- it might be boring but it helps me keep on track and feel safe- the same routine everyday for a while with no distractions or surprises (I can NEVER SPELL THE WORD SURPRISE.  I am going to get it tattooed on my hand because it annoys me incredibly. not really).  I need to tell myself that I am not giving up, that I am being honest and....giving up.  A few things.   And I need to get over that bit of guilt.  

In the meanwhile, brown tulips drip tea into a cup, open eyes see clearly. 

Thursday, January 17, 2013

Hands, and a return to objects


Hands on dresser

Hands- the hand is the means to putting mystery to action, to create, harm or heal, to protect and defend.  The hand holds the power to pull the trigger, write the word, plant and harvest, comfort or destroy.  Hands are very powerful things.

For a long time I have collected hands, drawn hands, embroidered hands.  Most of these are put away for one reason or another, but there are a few about in most every room.  A small white hand of china- actually a chopstick holder- holds a blue stone egg in the dish cabinet.  There are assorted mannequin hands on bookshelves or in bowls- they are not scary, they just hold things, or point to things of worth.  In the bedroom there is a glove cast on a shelf (a glove cast is a plaster hand model from fingertips to elbow, used for repairing, creating or displaying gloves) with a beaded snake wrapped around it.  On the dresser rests these three hands- love, fate and hope.

The hand of love is a mans hand- one of the few I have- and a relic from one of my installation art works back at college, that and a leftover charm.  In the hand is a formed wax heart- it has been melted and distorted by time- with three rhinestones in it and a sewing needle.  An attempt to solidify the core of long ago, to sew together and strengthen connections. The next hand is a palmistry model- the lines are labeled on it. This is the hand of fate, the marks of life lived and inscribed for those who know how to read.  I have never mastered palmistry- occasionally I can read, but it is in a rare burst like a thunderstorm.  I am much better with the cards.  Yet I love this hand, for it is mysteries that I don't know, potential.  Fate and Memory, a stone of black glass from the Irish coast.  The smallest hand, the child's hand, is inscribed with a golden R and is fittingly a gift from my Mother.  This little hand holds a little key, a key to a long-lost diary (not one of mine, though I do believe that these keys are universal, which is a song and story all in itself).  This is the hand of hope- of secrets hidden, of hope still waiting at the bottom of the box.  Belief that after all, everything goes on and always, always has the potential to get better. 

The odd thing about the smallest hand is that it is a left hand, not a right one.  The majority of my hands- not counting the mannequin hands, which are found happenstance, are right hands.  Right hands, left brain- right hands are the hands of logic and control, language, order, numbers, time, action, intention, power.  The majority of people are right handed, and I am one of them.  This suits the hands of love and fate- both of those things are what you make them, forged in your own fires.  But the left hand is different.  It leads to the heart (thus why we put wedding rings there) and the other side of the brain.  The side full of dreams and emotions, creativity, imagination, space, metaphor, analogy, synthesis, empathy- the part that feels, responds.  (And yes, this is a vast over simplification of neurology, but valid in its own way).  I am not left handed, but after time and practice, I can write and draw with my left hand, though not as well as with my right.  (I can also write and draw simultaneously with both hands, as long as I am writing/drawing the same thing.  It's one of my favorite parlor tricks to impress students with my absolute awesomeness- it actually isn't that hard to learn).

Today is the last day of this semester- and I have much to put into action.  I must grade and return papers and art, most of which will end up in the trash.  I have to finish a project for a friend.  I must either suck it up and write for the fashion course or quit.  I have new classes to organize and start- things to end and things to begin.  The forsythia in the yarden is blooming, tricked by our spring-like weather- it is to be 70 this morning and then snow tonight. The world itself is changing hands, unable to make up its mind which to use, or impressing us with its parlor trick.  Take me seriously for I am magical.

Wednesday, January 16, 2013

Happy Birthday Cupcake Owens!


There's a Cupcake in my sister's kitchen!

Once upon a time I swore that I was done with love and marriage... and then there was Mr. Owens, and suddenly I am married, and three years later, more in love than before.  And today is his birthday~ 

I love him because his is smart and kind, funny, romantic and appreciates the small gestures.  Because he saved Turrello, and loves that cat so very much- they are the true soul-mates in this house.  Because he has an amazing beard, and long hair, and is tall and thin and all the things I find handsome in a man- and because that is natural, and not contrived.  He just is.  I love him for being easy going and even tempered (except for phone calls, but then only when needed), for his talents of cooking and making and singing and acting.  Owens is pretty awesome- and this past year he has really come into his own. 

You know, this is surprisingly hard to write- so much to say, hard to say it- I sound all mushy and I don't care....and no, we are not perfect, either one of us, but we have learned to adapt to each others shortcomings and are working towards balance.  Everyday, several times a day, we tell each other that we love each other- and know that we mean it.

Now, I admit, I love lots of people.  And I tell them that- I am one of those who believes that you can never hear it enough, that it is a kind of life rope for the soul.  But I mean it, always.  If I say it, I mean it- if I don't I won't say it- often does not mean casual.   And there are different types of love- the affectionate exasperation/amusement that I have for my students, the friendly respect/dependence for friends/peers like Donna and LC, the love for my kin and family, my Mother and sisters,  the love for my best friend, the love for my son.  Love for things- my passion for art and knowledge, writing and making and imagining, good stories, adventures, food, beauty. Some of this love is quiet, steady and enduring, others gradually fade in a normal, natural way.  Others last forever.

I love Mr. Owens.  And this love has grown from friendship, to passion, to romance, to the constant warmth of the heart.  He forgives me when I screw up, and I forgive him- we are patient with each other, stay connected to each other, accommodate our differences- and are living a good adventure.  

So, Happy Birthday Husband!  I wish we had met long ago- we would of had millions of kids- but I am grateful that we are together now.  I am proud of you, love you and am so glad that you are part of this world.  And no, you are *not* old- we are only starting the second half of our lives!  We have many, many years to go- and they are going to be good ones.

Tuesday, January 15, 2013

Stitching Witches


Embroidery Stitches

Sometimes we forget the things we think we know- we become complacent in what we do and how we do it and need to revisit the instructions.  Yesterday when I was researching for Art of Fashion I came across one of my old needlecraft books- not where this diagram came from, another one- and I started to look at the stitches.  I have embroidered forever and ever, Mother taught me when I was very young- and I've kept it up more or less.  I don't use kits, I make my own designs up, and the embroidery has changed over the years.  When I first started I used the heavy wool crewel yarn on heavier fabric- I still have skeins of the yarn hanging in the studio- but now it is more for decoration than use.  I've grown attached to it hanging there- especially since some of that yarn is leftovers from Mother's projects- the Partridge, Window with flowers, others.  I love to use silk or pearl cotton, but it is expensive and snags on my hands, which are artist rough.  For the most part now I use the basic cotton floss, and I embroider on felt because I love the way the textures look.  

My style of embroidery has changed as well- I always used my own designs (except for an eagle I tried once and never finished- Mother ended up finishing that one) and a variety of stitches.  Over the years though I developed a loose style that is much more like the way I draw with a pen rather than the tapestry style stitching I did before.   I use lots of chain stitches, blanket and fly stitches, and not much else.  Truthfully, I have forgotten how to do many of the more complex stitches and techniques...and it is time I remembered them.

So last night I dug a blank of black felt out of the doctors bag and, book in hand, began at the beginning.  I was amazed at how uneven my running stitch was, and that I did not remember how to start a simple back stitch.  The way I embroider now is so quick and loose that this is good discipline- but it is taking me forever.  (Actually, two episodes of Magnum PI, which the manz is hooked on, to complete seven inch long lines of stitchery.  Simple stuff at that.)  I was in bed asleep by 6:30- a combination of exam day, concentration and (yawn) Magnum  (he wears short-shorts).  

I am going to persist and relearn all of this so I can add it back into my skills- I love it so and am tentatively planning a *big* project- a project *without* a deadline, just for the joy of creative expression and because I have things to learn.  It has been far to long.

Monday, January 14, 2013

Round and About


In the studio, a round bowl of round things.

I like round things.  Nests, bowls, stones smoothed by water- eggs, balls of yarn, fruit from the tree.  Globes of the world (I have 3!), cauldrons, gourds.  Anything rounded is comforting, safe.  I should very much like to sleep in a nest sometime (actually, there is a 'human nest' at the Treebones resort on Big Sur... along with Yurts, which are also round.  If I ever win the lottery, that is on my bucket list).  

This bowl sits in my studio, which by the way, I call my 'messy nest'.  Our cottage is named Tanglewood, and so it is fitting that it has both a Rose room and a Messy Nest...haven't discovered the names of the other rooms yet. But in the bowl, which rests on one of the white shelves full of books below the stained glass windows, is a collection of things that are roundish.  White stone cannon shot, and heavier shot of rusted iron.  Smaller metal shot, all recovered from one of the family places out towards the farm.  A hacky sack made of chain mail, tiny gourds, flat transparent seed pods on a branch.  There is a shell there as well- not round but spidery (it is a spider conch, so that would make sense) and other seed pods, puffy and triangular. The cat loves all this wonderful rustly stuff I keep around- The bowl itself is turned wood, a heavy bowl back from the time when wooden salad sets were all in vogue  I don't remember where I acquired it but I've had it forever, at least since I lived in Charleston in the mid 80's, and it was a thrift or yard sale find then.

Looking around the studio there are many other bowls- one full of fossils, shark teeth and rocks that Mr. Owens finds for me, a set of painted wooden bowls (another salad set) that I made to sell but liked so much I ended up keeping.  There is a bowl of puzzle pieces, hand dyed tags, old rusty keys- more.  Tangles of yarn, bitter ends of pencils, beads and eraser crumbs.  Bits and pieces and stuff.

Long ago when I was little, one of my beloved picture books was about birds, and my favorite bird of all was the bowerbird.  This is the bird that builds its nest like a little hut, then decorates it with brightly colored fruits, flowers, strings- anything in it's color set.  Oddly enough, they do have color sets- some decorate in all cobalt blue, some red, orange, black- bright intense colors, and they group and sort.  It is part of their nesting and mating behavior- a beautiful mystery.  My nest is part bowerbird but mostly magpie or crow- I like the odd bits of stuff as well, which is why there are so many curious and old things about. It is a place that is warm and safe and interesting- even if a bit messy. 

Sunday, January 13, 2013

Gifted


Aviator. Charcoal/ graphite.

Happy Birthday Mother!  Today I would like to thank-you for something, a rare gift that you gave me when I was small, a gift that I use everyday.  A gift that I *try* to explain and pass on to my students- sometimes more successfully than others- the twin gifts of imagination and creativity.

These are difficult things to define, understand, explain let alone teach and give- they are intangibles yet necessary as life blood to any artist or thinker- and needed in some degree by everyone.  Imagination, defined, is the ability to mentally create new experiences/ concepts/ sensations that are not based in actual sensory information.  In other words, to construct a mental experience that is not physically sensed at the time.  Awk...that definition sounds awkward, scientific....not imaginative at all.   Try again.  Imagination is the ability to live through the minds eye.  To create detailed worlds, stories and experiences mentally.  Better- not quite there, but better. One last time:  Image-Nation.  I-Mage-Nation.  Think about that- a nation constructed of images, a nation created by individual magic.  Obscure, but closer to how I think about it~

In academic literature, imagination is taught and fostered through story.  The ability to listen to text, read text, and create mental images of that text that are experienced as quasi-real.  It is that wonderful leap where you are listening or reading and the mind takes over- you no longer see the words on the page but live the story in your mind.  It happens as well when you view something- a movie, artwork, event- and the mind plays with it, retelling and recreating, long after the physical experience is over.  Your creation keeps going- 

The darkside of imagination- for all gifts have a double edge- is worry.  There is a quote I came across yesterday, "Worry is misuse of imagination".  This is very true- experiences running away in the opposite direction- but yet needed.  The worries that we rehearse in our imaginations help prepare us to handle crisis, to formulate some sort of plan so we don't give in to all out despair and panic. Even a double edge can be bright.

Mother gave me the gift of imagination- fostered through reading and storytelling, long adventures in the car, encouraging me to use it for entertainment.  I know that she worried (still does) that I was isolated from other kids mostly when I was little, and that I can be socially awkward- but fear not.  I learned how to use my imagination to entertain myself and *that* is priceless- I would rather that than a million play dates long forgotten.  It is the gift that ensured that no matter what, I am never, ever, ever bored.

Creativity is imagination in action, according to me.  It is the ability to transfer what is in your mind into the world, to create something new- be it an actual object, or perspective, or solution or what have you.  To take your visions and make them tangible  combine them with knowledge and experience, give them life through technique. My imagination (and obsessive love of horses) let me imagine a stable full of them that would run beside the car, leaping over obstacles, each with stories, virtues, vices, names... instead of imaginary friends, I had imaginary horses.  My curiosity led me to learn about horses- read about them, name the breeds, colors, anatomy.  The great horses of reality- Man O'War was a favorite- and story 'National Velvet', 'Black Beauty'- fused the knowledge with the imagination.  I collected horse statues, read horse magazines, begged constantly (which must of been hard- I wanted one so bad, and we did not have anywhere close to the means or place to keep a horse), eventually learned to ride and then finally- in my twenties- had my own horse. But the greatest part of the horse obsession was *not* my knowledge of horses, or my less-than-adequate riding skills, but how that keystone of imagination sparked creativity.  I learned to draw because I loved horses- creating them in my mind was fun, but not enough.  Other peoples stories, models, pictures, even other peoples real horses- not enough. I had to create my own.  I drew them over and over and over.  I applied everything I knew and learned, everything that I imagined, put it down on paper.  I remember drawing horses when I was very young at Headacher, on the kitchen counter at Jack's house, at school, at home, any chance I got.  I need to dig out my old journals and sketchbooks and find some of those drawings- I don't have the very early ones, but I do have some from middle school on.  

The magic in that was not learning how to draw a realistic horse, though I did and I still can.  When I was drawing the horses I didn't care about them being realistic so much, as their stories and personalities.  Their colors, coats, names, tack, expressions, likes/dislikes- a whole world.  I can still name some of them: Sirocco (grey stallion, the leader), Apache (black), Scotland (Appaloosa), Buck (buckskin quarter horse), Diamond (spoiled pony that I didn't like much.  Funny to create something you didn't like).  Others- it sounds crazy I know, but it is my gift and my treasure.

I imagined and created other things of course- all with Mother's help and blessing.  The ladybug house on the rocks in the pasture, the Wishing Well that served as my 'outside oven' for culinary treats made of mud and grass.  The huge Barbie house made out of a cardboard box and carefully furnished with home made furniture created from butter tins, spray caps, fabric- a mod, wonderful house ever so much better than the pink plastic dream house.  Turning the rocking chair upside down in the living room to create a gypsy boat/wagon/hut full of dolls and dishes- while I was dressed to the nines in a blonde wig, white confirmation dress and small apron printed with strawberries...and a bonnet.  (Where did those things come from?  I can't imagine anyone in the family owning any of them~).   And she was there when my imagination turned bad- when I was afraid of ghosts and goblins, furniture that moved, paintings with critical eyes.  I'm still afraid of those things, (well, not ghosts- rather like them, and goblins can be useful)- but I learned that it is ok sometimes to imagine scary stuff.  That a good ghost story is worth the thrill of being spooked- and that imagined fear can be a healthy means to ensure against risky behavior.  (Like getting out of bed to go to the bathroom in the middle of the night.  Because I was afraid of the table in the hall at Headacher, I don't think I *ever* went to the bathroom during the night. I confess that I still dream about that table- it is beautiful, but I am very, very, very glad that it lives in Barbies home and guards her front door.  If anyone ever tries to break in to get her, the table will get them first. Seriously.)

I have written and written this morning- and it feels so wonderful to do so.  Thank-you Mother for my gifts that you gave me, that turned me into an artist and scholar, that taught me the magic to create my own worlds.  I love you.

Saturday, January 12, 2013

When is average good enough?


Design from Nowhere Bad T-shirts

I like this shirt- it makes me think.  My first reaction to it was to laugh- I found it amusing from the standpoint of both a teacher and a student.  'C'? Who settles for a C? Not ME!  I must have an 'A'- at least- but more specifically an 'A++smiley face glitter star unicorn' for everything that I do!  Nothing less than perfect is ok... then I started thinking.  Is that really ok?  Or even desirable?  Where am I on the scale and where do I want to be?  What about my students? What does this *mean*?  (Ok, I know I am way over thinking this tshirt design, but sometimes things click in a timely way and serve as a prompt for some tougher questions.... and this is what I want to talk about today, and it is Saturday, and I've had coffee, and I'm once again doing the whole 'structured procrastination' thing).

First off, students.  They understand the 'no effort required' part of this- but in their world, that equals an automatic 'A' if they show up, remember to breathe, and do something. Anything.  I don't know where they quite get this idea from- and the companion idea that 'art is easy'- but that is what they assume from the start.   Even with my endless explanations, rubrics, critiques, teary-eyed meetings...by the end of the semester I am *still* explaining to some of them 'Why don't I have an A?  I was here and did everything!'......sigh.  Yes, yes you were here, yes you did everything, but you did just that- nothing above and beyond, nothing extra.  You achieved average status- which means 'C' in the academic world (at least according to me).  You followed directions, did what was asked, even completed it....but there is no effort, there is no stretch of learning, there is no......above average let alone the *wow* factor that pushed it into the land of A.  You don't get to have what you didn't earn. Period. (Dit-Dot-Dash as Dad used to say).  Truthfully, most of my students finished up with 'B's... they did go a bit beyond the expected, but not to the heights.  

Secondly, me and the economy.  Income wise, I still fall into the 'Lower Middle Class' and make right about the median income for our state.  My education level is disproportionate to my income- I am highly educated, have almost hit the ceiling in my profession (teacher- the only thing I can do now to increase wages as a teacher is to have a phd), have a glittery A-level resume/experience, but still have to work multiple jobs- with a spouse working multiple jobs- to make minimal ends meet in a lower economy area.  This is despite our living a 'below-average' lifestyle- meaning that we are not indiscriminate spenders, we do not use credit cards but do have loans, have reached the age of entrapment where I am paying for my student loans while healthcare costs are rising due to age (no, I'm not old- just middle aged.  And so is Mr. Owens, but middle age means increasingly high maintenance).  We are more fortunate than the Japanese professional that has to live in an internet cafe, or the earthquake survivor in Haiti that is still living in a tent years later.  We have our house (tumbledown though it may be), cars (one of which is working), electricity, running water, internet.  We can balance our vices (things like his cigarettes) with restraint (no eating out- and consuming our share of Ramen).  We don't have things other take for granted (cable, dishwasher, microwave) but we do have health insurance, employment and enough to eek by.  We are in a huge amount of dept if you add up the house, student loans and medical bills... but that is 'normal' apparently.  Our grade in this area is somewhere around D+ to C-  I wish this grade was higher, but I'm not sure how to get there.

Work. I work hard.  It is important to me to be the best- and in the past that has meant being at the top of my game, the leader in everything I do, work it and over work it to perfection.  I have a competitive streak that is not a nice one- it is mean, demanding and kept tightly leashed.  This is why I don't play games (trust me, it is not fun for anyone to play a game with me), don't do contests (I am devastated if I don't win or place- the self anger isn't worth it), and am not the best at collaboration.  That streak has profited me as a resource of energy for completing projects in a rush- quick/well done, like a magic trick- the drive for academic perfection, the ability to create the illusion of leadership when it is really lone rangering. (Meaning that the collective didn't do it, or didn't do it 'right', so I get angry and redo it by myself at the last second).  Work wise? My grade has been an 'A'- but at what cost and what benefit?  And is it ok to want to drop back some, slow down some?  Can I handle that emotionally? To get into the passenger seat when I have been driving the car for so long?

OoooOoo- Insight.  I *always* drive the car. For years. (the real car, not the metaphorical one)  I really truly get super carsick very easily....sometimes even when I am driving.  That is allot like working- metaphor being that driving = in charge, not driving = sick,  sick = out of control.  I have discovered though that I *can* be a passenger (in the real car again, not the metaphoric one) if certain people are driving- namely Mr. Owens or Melissa. Why? Good question, will have to think on that.  Is it because I trust their skill, and trust it rightfully- or that we are used to each other- or that I am comfortable enough to just be able to take a break?  Is that the secret to passing on leadership- find someone else that can drive the car well enough that I don't become a bad passenger/ back-seat driver?  How do I handle this?  

I don't know, and I instantly feel like a slacker for entertaining the thought of anything less than A level achievement in work.  But truth is that I am getting tired of *all* the responsibility, and would like to explore other things- focus more on recreating the classroom/teaching, my personal artwork, just living instead of always thinking 'Oh, I have to get this done, and this and this and this'.  I'm sick of being in charge.  There, I said it.  Maybe it is sour-grapes because I didn't get the Raleigh job I was so excited about, maybe it is karma-in-action, maybe it is self-discovery as I approach my half-life. I'm ready for an adventure that *doesn't* include scaling the peaks.....

Friday, January 11, 2013

Sam and Dean Sock Puppets


Sock Puppet... if it had red/gray hair it would look like me...

The best thing about best friends is that they are in synch with you and know *exactly* what you feel/do even if you are miles and mountains apart.  Email from Melissa (Ms. Ball) this morning~ she has been reading my blog and is right in step with me feeling/experience wise... even talks to people in her head like I do.  Her people are Sam-n-Dean from Supernatural, the dynamic demon-slaying brothers.... mine is more like a sock-puppet version of myself.  Sometimes with angel horns or devil halo, but usually just another version of me.  

I suspect that most people do this, not admit to it, but have these conversations with themselves that are combinations of pep-talks, scoldings, sarcastic quips, reminders, problems solving or just thinking personas.  Thing is, sometimes (well, ok- often) I catch myself talking out loud- usually in the car by myself, or just an occasional blurted sentence in the shower  (what do I say?  Usually something like "You really got to get this done" or "Not bad for almost 50" or "I am so f'ing hungry/tired/thirsty").  Sometimes I catch myself talking in the grocery store ("What? You're kidding me. $5.00 a gallon for milk? No way.") or at school ("Ok, remember to do this, and oh my would you look-at-that!").  Is it crazy space talk or just a bubble of expression?  Or both?  Are all those people talking on their cell phones *really* talking on their cell phones or are they having self-conversations?   My solution?  I'm just going to start carrying around a sock puppet- then people will assume that I am either: crazy, practicing something, doing some sort of hidden-camera-show... and they will either avoid me or give me pocket change.  

Seriously though, Mr. Owens puts up with it as I do it quite a bit around the house... and the kids at school put up with it because in a class of 30+ they all safely assume that I am talking to *someone*, and Grendel grew up with it and thinks it is just what Mums do.  The dogs think I'm talking to them, and look around for treats, the cat ignores me unless *he* wants something (belly-rub, pouncy treats, blanket or one of his other demands).  Still, I'm talking (and sometimes singing made-up songs or poetry) and that is not likely to change anytime soon.  Unbridled creativity frothing at the mouth.

With our new smart phones (which we still haven't tamed- they mysteriously turn themselves off and on, and I can NEVER hear my ring/text tones no matter which one I try....and it plays Angry Birds by itself) the one trick I have discovered is the lovely application called memo.  I can open it up, press the listen button, start talking and *pow* my words are text.  And it is fairly accurate, so it is a good way to capture important thoughts, especially when driving.  Much safer than the pen/notebook I used to keep to scribble down things.
I just need to remember to look at all these brilliant ideas and put them to use.  Maybe my sock puppet will remind me.

Thursday, January 10, 2013

A Beautiful Mystery


Somewhere, sometime- 

My procrastination has gotten the best of me, and I seriously don't know why I keep repeating this behavior.   I know (intellectually) *why* I procrastinate, and I've researched and talked to Dr. Mike and know a kabillion strategies for addressing the problem....yet I continue on.  And it gets worse. Right now, I'm thinking that the whole thing is that I simply don't want to do it.  I want to take a break, just do my job and create at my own pace instead of meeting other deadlines- unpaid and irresponsible as it may be, I haven't done *just* my job (or two) in years and years...... or maybe I'm just copping out.

What am I procrastinating on?  The Art of Fashion for the museum, of course.  The job I thought I wanted- writing curriculum.  Is there a meeting today? Yes, at 10.  Is there a deadline looming? Yes, soon.  Have I done *anything*? no..... which makes me feel anxious and cranky and grrrrrr...and there is absolutely no excuse.  It is my own fault- I had holiday to work, and didn't.  I had weekend to work, and didn't. And now must pay the piper.

The other think I have procrastinated on is the painting of Meg, which is also due at the end of the month. Black and white portrait (not my best area of art) of Meg, the teacher who died this summer, for the library section that is dedicated to her.  It is started, and actually well along, but I need to refine and finish it. Of course I am not satisfied with it, and worried that it will not be good enough, but it will have to do.  And there are a million other things that I need to do as well- new photographs of Mr. Owens, revise my cv and webpage, write exams and get ready for next semester.  Work on the house and the yard.  Work on getting healthier.  Stuff.

In the meanwhile, I have my morning- and I like this type of morning routine, it feels better and results in a better day than the previous pattern.  I am making time for reading the news while eliminating the other things (blogs etc.) until the weekend- this gives me time to check facebook, submit for casting calls, and write on this blog (my open ended public diary, thank-you for sharing), post my announcements for the online class.  The writing helps me to air out my brain, which is all tangled and keeps skipping... and I know I probably repeat myself in my writing quite a bit but... well....it's how I need to do it right now.  Bear with me.

The beautiful mystery part of today is the picture- I was looking for one to post as I haven't taken any recent ones lately.  This was in a folder, and is something I took during conference in Charlotte two falls ago- what it is exactly  I haven't a clue.  There are layers of reflections, a figure that might be me or might be Melissa, a park or playground with children, bright circles that might be gumballs or toys or? and windows.  I like to think it looks like my brain right now- no real clue where anything begins or ends, what is outside or inside, where I am in the picture or what is going on- but it is complicated and beautiful none the less.

Wednesday, January 9, 2013

Coming Clean-


Old Fashioned Soap Making

I take my education for granted, and Dr. P thinks I'm to smart. Hum...curious, that.  Anyway- I don't think it is so much native intelligence as that I *pay attention* to things and remember them, and for that gift I owe a dept not to any formal education, but to my parents.  My parents were/are curious about almost everything- and, even though we lived on modest means, not only satisfied their curiosity through reading/watching, but took the time and effort to explore and experience. There is not enough of that today, I think- we have the whole world at our fingertips thanks to technology (and I am it's hugest fan!) but we forget that the experience of exploration is important to.  It is not enough to virtually visit or learn things, or to have them distilled and recounted in a classroom... I miss that component of going and doing.  And not so much school field trips, which end up usually being nasty awkward things full of structured quickpace timelines and kids sneaking off to get high in the bathroom.  Or maybe that's just cause I get bus-sick and have had bad experiences..... but on to the good experiences and why I am talking about this.

Yesterday, in my fourth block advanced art class, we were reviewing and talking about how paint is made and different ways of cleaning it up, which brought us to soap.  And then one of my students asked, "What is soap anyway?  I mean, I *know* what it is- but how do they make it?  The bar stuff?"... and it stopped me cold.  I don't know why I found it so astonishing that the did not know how to make soap or what it was made of... in the back of my head I though that surely this was mentioned somewhere along the line in a history  or science class, or at the very least they had read Little House on the Prairie (nope). So I explained to them about soap making from rendered fat and lye, (and how to make lye) and from glycerine, the differences between soap and detergents blah blah blah.  It turned into a cool little lesson on history, chemistry and olfactory arts  (how does something made from such nasty ingredients end up cleaning you and smelling good?).  Then I got to thinking, well how did *I* happen to know how to make soap, and so much about it... and no, it wasn't because I was taught in history or science class, or even from reading, it was because of an experience.

My parents loved to go on small adventures- the curiosity thing- and fairs, festivals and historic 'living museums' (which were a relatively new concept in the seventies) were some of our favorite destinations.  I remember soap making from several of these but most of all from Bedford Village.  I can't swear to the timing, but they had Fall (?) festivals out there, where there were food and crafts, and demonstrations of how things were done long ago.  I was keenly interested in these things- how to create dye from plants, dip candles, card and spin wool, make soap.  I saw it being done, but more than that was the *experience* of seeing it- I remember the smells, the heat from the fire, the prickly grease of the wool and sticky cards.  I didn't do any of these things at the festival- they were demonstrations not activities- but I remembered them and tried them later.  Some of them at home- I tried to spin cotton balls (not very successfully), make dye out of plants (more success, more mess), and did learn how to make candles in an art class (never quite took to it for some reason....).  Later on in college I learned how to card, spin and weave (as long as someone else warped the loom- never had the patience for that) and make soap, though it was of the glycerine kind.

When Grendel was a kid, he grew up around some of this because of me being in school and involved with the craft business up in the mountains.  I wish now that I had taken the time to do more of the 'time travel' type festivals and places with him- we did do a few and they were important.  And he learned how to make soap like a boss- remember the great soap making year where he made it for everyone in the family for holiday and to sell at local art shops?  Paid his way to Disney World for the 8th grade trip- proud of him still for that.  Turning soap into gold, good job.  An experience that lead to another experience and so on- which is exactly the legacy that I have.  

If I had time, money, energy... especially time... I would like to do a heritage arts fair somewhere here.  Maybe Penderlea- demonstrations of soap making, tobacco staking, quilting, other local arts from long ago.  I wonder if anyone still does these things, or would even be interested enough to come... or if they are like me, to busy with lists to remember the worth of experiences. 

Tuesday, January 8, 2013

Words of Wisdom and the Wild, Wild West


Madam Dora Bolshaw, Deadwood SD.

Words of Wisdom from one of my favorite philosophers via my niece Franny:  "He who has a strong enough why can bear almost any how"- Friedrich Nietzsche. This was a quote on a site she recommended on facebook, and is particularly meaningful to me right now.  I have had a rough patch this winter- headed off to Dr. P again today to work on the sleeping thing- but I am feeling more positive and starting to stir in my cocoon.  Part of this stirring is thinking and reevaluating where I am, who I am and what I want...and what is important.  I know that I want to work smarter not harder, that I have procrastination issues big-time that creates anxiety which makes me terribly cranky, that I am getting tired of being the boss-of-all-things/ being in charge at work, and that I am *very* tired of constantly being on the edge financially.  I also know that I am smart, talented, more creative than ever- that I have a wonderful, kind, talented husband who works hard, that I have a good son who is responsible, smart and self-supporting, and that life is good overall- just needs a bit of polishing.  So what is my 'why'?   I want to evolve my life for the 'why' of self realization through becoming a creative force in order to teach others.... teach others what?  I don't know -  things I know.  Random things, forgotten things, interesting things.... I know the information, it just bubbles up when it wants to be taught which is why art class sometimes turns into Physics, or Nero science, or Etiquette or....anything.  How am I going to do this and reshape my clay?  I don't know yet, but the thought is floating around.... which brings us around to Madam Dora.

Madam Dora is a bit of a dubious role model- but she took a rough life and made the best of it.  She was brought over from England to America as a young girl, and through poverty ended up being a prostitute at age 13.  She was smart though, and thrifty, and ended up going west to Deadwood (which is one wild place) and running her own brothel by the time she was 15.  Fifteen!  My fifteen year old students can't remember to bring a pencil to class let alone run a business....not that I want them running brothels, but still....  While that is an unsavory business, Dora did her 'girls' a service- she was one of the first who had strict rules about hygiene, dress and even had a doctor on staff...as well as Calamity Jane.  She later married, and actually had a string of brothels around the Dakotas- coined the word 'Cathouse' and wrote a book.  Dora traveled her road- a wild one- but self-actualized her potential, retired happily with her husband and pet parrot Fred, and died in her sleep at the age of 66... which seems young now, but when you think of her extremely high risk life style, it was quite old for that time and place.

So today I am going to think of Madam Dora, walk a bit in her footsteps (Nothing naughty! Just brave!)  and work on my "why" and my "how".

Monday, January 7, 2013

A Foot Above the Rest


Feet.  Biro in sketchbook.

It is no secret that I cannot watch TV without doing something else- usually sewing or drawing, sometimes eating (have to watch that!) or (when I'm lucky) snuggling.  Or massaging the Manz feet.  Feet are important things you know, and I took advantage of the rare sockless sighting of Mr. Owen's feet to draw them in all their bony glory... and then finished up with my right foot, complete with hole-in-sock.

Now, Mr. Owens's feet are rarely seen.  He doesn't believe in sandals, and they are normally icy-cold, requiring coverage in socks.  They are most happy when in his slippers (even though he got new ones for Christmas- slippers, not feet- he wears the old which are falling apart....), work best in his work boots, occasionally visit his sneakers, dress up in cowboy boots or the rare dress shoe.  On set, sometimes he has to wear *their* shoes, which make them a bit unhappy and in need of massages. 

My feet....are happiest naked, or at the most dressed in flipflops.  But they also don't like being cold, so winter socks are needed (thick heavy man socks- the long kind- not white-).  Shoes are required because school frowns on flipflops (even if they are my beloved rainbows), but I am not a 'shoe person' so I wear one of two things: my pink combat boots or my gray fake converse sneakers.  Both of these started out pristine, but have since been battered, splashed with ink an paint, and the Chucks have acquired a mysterious amount of unintentional glitter glue.  Still and all, I love them both, they are comfy, sensible-practical and provide good support.... speaking of which, I have an age-based confession to make: MOTHER WAS RIGHT.  Insoles and support hose are saving graces for sore feet/legs from standing all day on bad floors.  And...support hose at night (which are super sexy with my new hot pink fuzzy cheetah print pj's).  Oh- and I do have slippers- my black fuzzy ones that have a hole in the sole now, but like Mr. Owens, they are still the best.  Even though I abandon them around the house like giant black woolly worms.  

I'm not totally hopeless, I do have dress shoes- the sensible black pumps for interviews/ professional stuff and funerals, the knee-high brown lace up 'Stevie Nicks' leather boots that I bought for a wedding long ago (One of Sue's boys) and that I never wear but can't part with because they are beautiful, three pairs of old flat flats (tan, brown, black) that I wear to school when it is to hot to wear my boots with skirts. But these sit neglected in the closet... along with my emergency Wellingtons (for Hurricanes and Wet Yard Work) and battered Tom-type yard shoes (ancient relics).  I've never had a pedicure, but paint the toenails dutifully every summer (and stop sometime in the fall, where the paint commences to wear off... it is almost all gone now). I need to clip the nails- the regular ones are never an issue, but the big toe grows like crazy and gets all pointy sharp for some reason, creating holes in socks as seen in the drawing. (Mr. Owens has his share of socks-with-huge-holes, which have ended up in a box in the bedroom for the cat to play/sleep in. Spoiled!).

Today the weather man is promising "mid-winter warmness" but I am disbelieving him as it is below 40 and raining... so it is thick socks and pink boots, long skirt, shirt and sweater, all in shades of brown and red.  I feel rather Ridinghoodish, which is a good way to feel.  All I need is a basket full of pie~

Sunday, January 6, 2013

Winter's day, afternoon


My desk, in the studio- on a Sunday Winter's Afternoon

It's Sunday afternoon, raining and cold, dark early.  I just got off the phone with Mother- one of our brief conversations for neither one of us can here- she is the only person just about that I talk on the phone with, and that is more to hear her voice than anything.  Just that little bit is a comfort.  

Today I have been drifting, working, the internet is slower- much- than it should be and I don't know why.  It took me a considerable amount of extra time to finish with my online student work, and with checking Charles's casting for the week, but that was ok.  Sometimes it is nice to move slow.  Which is funny because even slow, the internet now is a kabillion times faster than back when it was blue, and we dialed up on phone lines.  And I remember the skill of balancing the wait with having something hands on to do- in this case my sketchbook- to occupy the time while the pages load.  (It's the images the students post- just one uncompressed image- and there is always one- slows down the whole process).  I have graded and napped, drew and painted today, finished a little wooden box I was working on (well, finished for the moment at least), watched some TV with the manz, did the laundry, cleaned the kitchen, went to the shop and basically had a nice quiet day.  I did not write on fashion, though I did do some research, and will do some reading tonight.  I get weird about projects sometimes- the 'structured procrastination' thing- but I have time blocked out for it tomorrow and will get to it then.

In the meantime, let's have a look at the desk.  I've posted photos of it before- I never tire of my desk and studio.  I love the little stained glass lamp, the tin decoupaged by Mother long ago, the picture with carefully arranged dried flowers that Wanda gave me. Other treasures, my sketchbook and new smart phone (hooray for texting!) my mug of tea.  That's how you really know that it is winter around here- when I start making tea. I love tea, mind you, iced with lemon in the summer, Southern sweet tea on the porch.  I love hot tea as well, nothing is better when you are sad or sick or wanting to feel cozy... but I am usually to lazy to make it.  And it is a winter drink.  My beloved Mr. Owens usually has a cup ready when I get home from school, and I do make it for myself when I get the urge.  It must have sugar, and milk, or- if I am wanting a treat- a splash of Old Crow without the milk.  Warms the soul, like the colored lampshades and stained glass windows, the old leather desk and the smell of beeswax as the crockpot cools down.  I confess being in love with this room- my favorite in the house- full of books and paints, comfy old leather chairs and baskets of papers.  It is a place to dream and make, to write and draw and think.  It's home.

Saturday, January 5, 2013

Dream Anatomy


Whale bone on beach.  (not my photo)

I dream.  I dream constantly, deeply, sometimes (well, truthfully, often) when I am awake. I know the territory of my dreams well- when I am very stressed/anxious (hurt animals, apocalypse), when I am nervous about something I have been avoiding, but want to do (the huge house with mysterious rooms full of objects- arouses curiosity but is haunted by something old and not-so-nice), when I am angry (arguments, car crashes, fire and burning trees in particular). Or out of control (wild, wild students and a blended Pender/Trask school setting).  These are all (thankfully) rare, they are disturbing but a key that something major needs tending to, and are thus of value.

My most common dream is the connecting dream, the communication type dream- this is most nights, during naps, and they are, for the most part, pleasant. (Unless I am feeling guilty about something, or have done something that would not be approved of)  These dreams star family members, friends, sometimes students, rarely celebrities. Mostly they are of Mother and Daddy, and involve just daily life- going out to eat, conversations in front of the tv or at the dinner table, the occasional car ride.  There are family dinners, visits from and to relatives, husbands, ex-husbands, Grendel, my sisters, all of the old people, endless parades of students (sometimes good, sometimes rowdy), Mr. Owens, Melissa, our pets (past and present- sometimes I dream of pets that other folks have probably long forgotten- Aunt Gladys's Chumley dog, or Candy, the ball chasing dog at Uncle Mike's and Aunt Anns.  Or Blackjack, the first horse I ever rode).  Most of these dreams are full of sensory delights- I can feel the wind, or the sun on the saddle, smell the air or perfume (sometimes perfume I am not fond of, like Emeraude), hear conversations, music, noises- and almost all of these dreams include food of some sort. They are a comforting connection, even though sometimes there is arguments, or scolding- but most often stories and small adventures.

Then there are the sea dreams.  These are the dreams that seem to shine in parts.  The story begins with a set up- for some reason I have to travel back to the ocean, and most often that is the one in California- around Morro Bay but up through Cambria and San Simeon as well, down to Los Osos and Hazard Canyon.  (There are other scenes- the bridge across to Pensacola beaches that I went to once, the waterfront at Southport, my beloved Oak Island or unknown stretches of sand). The set up is always important, and involves a journey, money, time and finding employment/place to stay.  There are maps, and travel, and mountains and then wandering around Morro Bay/ the Embarcadero trying to find the place to stay- I pass by the stores (some are the same, some different) and the boats- but I do not go in.  Usually I am with someone and and I am telling them about the area, how it is different from what it used to be, what I remember.  There is the store that had the seal that we loved to feed, the Shell Shop that I worked in, the Fish Bowl where I belly danced and whose take-out had great fish and chips, the place where Dad and I would get clam chowder and frozen chocolate covered bananas.  The brewery where I learned about coffee, and the annexed companion stores where I sold candy and polished brass.  The Rathskeller that had the best French-Dip sandwiches ever.  The sand on the side walk, the boats at the wharves (not pleasure boats but working boats that smelled of fish and diesel), the bright Tiger's Folly ready to take tourists on a harbor cruise.  Stores that Mother and I would wander around, then go get fish and chips to take down to the rock and eat in the car while looking at the sea.  I never tired of the Embarcadero, and I still don't-  

Once there though, there is the sea part of the dream.  A bad sea dream is that I get there, get settled, and then it is time to return home and I have yet to see the sea itself.  I am panicy and missing it- but it is time to go.  The medium sea dream is that I am there and in proximity to the sea- at the beach, along the shore, but doing something else... I am wanting to go explore, but first I have to complete a task.  Sometimes I get to explore, sometimes I do not- but just being there is important.  The best dreams are the finding dreams.  The dreams where I get to roam the beaches, rocks, tidepools and salt march (yes, march not marsh- different things.  The salt 'marsh' is where the reeds grow thick, the march is the part that is muddy and uncovered by tides).  When I roam I find things, amazing things.... 

I have drempt of the aftermath of storms and shipwrecks, where I find a mixture of sea wrack, objects, shells and antiques (last time I had this dream one of the things I found was a beautiful red-gold carnival glass pitcher- carnival but cut glass at the same time, heavy.  I brought it back to shore and everyone was amazed it wasn't broken...).   Usually it begins with finding some small shells, things local to the area, then uncovering some amazing high-quality shells- and I think, 'this is not native to this area, or I didn't know this lived here, or even I wonder who put this here?' but then I uncover more- they shine and are amazing.  I can see clearly how they set into the sand, how the froth from the surf surrounds them just a bit with white foam, how they glisten from the combination of sea water and sunlight.  Other people are around usually, sometimes they find things as well, sometimes they just don't care about them.  I am amazed that they do not see what I do, cannot appreciate the magic of the find.

Last night I dreamed of Oak Island, and returning to it.  Sue and Tom Podlucky were in the dream- along with MJ and Troy- but they were a bit older, around 9-10ish.  We were on the mainland, Charles was there, and I had just gotten out of the hospital from an operation.  Not a major one, but something small.  We were looking to move back to the island, looking for potential work, places to live.  I was supposed to go to the doctor and get the stitches removed, but decided that I had time to ride down to the end of the island 'just for a quick look'.  I was riding a bike, which is strange since I haven't a bike and don't particularly like to ride them.  But I crossed the bridge, then turned down the main road (which is Embarcaderoish for here- gas stations and beach stores, coffee shops etc.)  I went to a few stores just to look, and look for work- then I was down at the area where the stores turned into residential streets.  There was a fellow selling beach toys in a parking lot, and other things, he was dressed professionally though in khaki pants, blue oxford shirt and a tie.  We talked and then he left work to go down to the end of the island with me- we went along the coast road, and it was different from the real Oak Island.  It curved around a small park (I told him Barbie had gotten married there, and rode into the wedding on a fire truck of all things) then to an area at the end of the island where the really, really big expensive houses are.  There was one under construction that looked like a castle, I recognized it from an architectural magazine article- the turrets were sitting on the sand because they decided against them due to wind from hurricanes.  We discussed the potential value of the turrets  then I began looking along the sand at the shore.  There were piles of wrack- stones, broken shells, seaweed- and I began finding things in them.  Not shells this time, but bones (a first- I do collect bones as well as shells, including beach bones.  But I haven't found beach bones in a dream before).  These bones were small common bones.... then I picked up something odd to look at.  It was bone but also dried skin that was translucent white (like fish bones are)- but I could see the outline of the dentition and eye sockets   There was a feather still attached to the back of the head, and it was the size of a softball.  I decided that it was the skull of an Indian, mummified, shrunken and preserved by the action of sea, sand and sun.  I kept looking and in a bit discovered another skull- but this had the whole body attached.  It was shrunken and dried, the same pearly white, about the size of a small child or large doll.  I picked this up as well.  It was time to head back and so we did- I remembered about the Dr. Appointment and discovered that a) I missed it and b) I didn't really care.  I did care though that I would be home later than expected and that Charles would worry.  The man went back to work, I kept along the road pushing the bike and carrying navy blue drawstring bags with the bones in them.  I met Sue and the kids- they were at some scout activity thing- and we walked together for awhile.  I kept setting the bike aside to rest, then walking on forgetting it.... I would send Grendel (who magically appeared) back for it.  I kept tight hold of the bone bags though, and showed Sue what was in them.  (She was polite about it, but not all that impressed).  At the end of the island I saw the man again with his wife and daughter- they were coming from the fire station fish-fry.  He told me he got a new job and was moving to Flordia, and the old one was there if someone wanted it.  I turned to walk across the bridge and saw more bones by the dumpster, but these were the brown greasy bones left by recent roadkill, with a few shattered white ones thrown in.  Dog, deer, a flat cat.  I let them be and crossed back over the bridge, carrying my bags and pushing the golden bike.

And that was my adventure last night, and I feel good for telling it.  There was more- lots more- I left out various details about job interviews, African art, food, singing with little girls and telling someone that I wished I was 35 again.

Today I am writing but restless, I have work to do and the computer is slow, I want to go to the beach and walk on the sand- but it is very cold, the beach is far away and gas is expensive. I can wait... and search for bones in my dreams.